#3080

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Late 80s, early 90s wool crepe and lace cocktail
dress by Carolina Herrera. Herrera designs are always elegant and
in the best of taste. This cocktail dress
is from her CH line which was started in
the later 80s. The CH line was created to
be a bit more affordable but NEVER skimped
on beautiful design or construction. All
Herrera clothing was (is) treated with the
same couture sensibilities.
This classically styled dress is done in
black wool crepe (a favorite fabric in the
1980s-90s) and rhinestone studded lace. The
rhinestones are black crystal with bezel
settings and the lace is backed with neutral
silk organza. The cut has a distinct 1940s
feel with sculpted shoulders and nipped in
waist. The lace sleeves are long and narrow.
It has a round neckline in front which dips
to a moderate V in back. There is an inset
midriff section in lace and the skirt is
narrow. The body of the dress is lined in
black silk. A beautifully made dress as lovely
inside as it is out!
It's an older size 6 which is small.
Bust 36"
Waist 28"
Hips 38"
Skirt length (from natural waistline) 26"
Sleeve length 24"
Excellent Condition
$250.00
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#3079

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I was head of alterations in a salon on Newbury
St. in Boston during the later 1980s. The
shop carried high end ready to wear and catered
to society ladies (LOTS of old money) as
well as successful business women. I can
remember the Adele Simpson dresses and suits
we carried as timeless, elegant and flattering.
They were expensive (usually well over $500)
but worth it because they LOOKED like couture
when worn. Altering them was painstaking
due to the high quality workmanship. We were
required to finish our work in keeping with
the same original standards. I loved working
on her clothing.
Adele Simpson had a long and successful career as an American
designer. After working in the industry for
a number of years she started her solo label
in 1949. Adele retired in the 80s at which
time her daughter took over the company.
This timeless 1980s dress/suit can be worn
throughout the day and with a change of shoes
and accessories transitions into dinner or
evening with ease. Two tone, it is cut from
royal blue and black wool crepe. A boxy,
open, shawl collar jacket tops a fitted short
sleeved dress with jewel neckline. It has
a silky black lining. The size is medium around a modern 8 with the following measurements.
Bust 38"
Waist 30"
Hips 38"
Excellent Condition
$175.00
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#3078

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Classic style by
Rodier
On those days when you need to look put together
and stylish without a lot of fuss a good
tailored shirtdress is the perfect solution.
Just throw it on, accessorize and go.
This Rodier is cut from fine black
wool crepe.
It is a classic shirt style dress from
the
late 80s early 90s. The sleeves are
long
and a bit full. The shoulder line is
padded
(not huge though). Design details include
horizontal, single pleats front and
back
and decorative gold buttons. It is
fully
lined.
The size is generous around a modern size
12 -14 and would work best on an average
to tall frame. It has the following measurements.
Bust 44"
Hips 42"
Shoulder 17"
Sleeve length 24"
Excellent Condition
$125.00
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#3076

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'
Beautiful couture daywear by Yves Saint Laurent circa 1980s.
Fine houndstooth wool dress designed with
a nod to the early 1920s era.
The dropped waist, oversized pockets, rounded
collar and slim silhouette were surely inspired
by the transition period from the later teens
into the 1920s. YSL blended these retro elements
with modern padded shoulders and a shorter
skirt to create a handsome versatile daydress.
Perfect business or lunch attire. Skillfully
tailored and fully lined in black silk
The size is around a modern 6. The hips are
quite slim in comparison to the bust so keep
this in mind. It is designed to fit loosely
on top and fitted on the bottom. It has the
following measurements.
Bust 38"+
Hips 36"
Shoulder 15 1/2"
Sleeve length 23 1/2"
Excellent Condition
$325.00
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#3075
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1980s Winter White suit by Carolyne Roehm
A fashion trendsetter, Carolyne Roehm has
been considered one of the worlds most stylish
women. She worked as a designer for Sears-Roebuck
first then Oscar de Larenta before she started
her own ready to wear label in 1984. In 1988
she began her couture line.
Roehms platinum standards required that her
designs be created from the finest textiles
with flawless construction.
Our suit is no exception. The fabric is a
double faced wool bengaline (corded texture)
in winter white. The jacket is open kimono
style with an all in one sleeve. It is collarless
with a roll back front lapel and decorative
mother of pearl buttons. The straight skirt
has a slightly gathered waist and a curved
asymmetrical hem. It buttons with the same
mother of pearl buttons, all the way down
on the left side.
The construction is on the haute couture
level. Every seam and edge has been split
then rolled back into itself to be finished
with fine handstitching so there are no raw
seams anywhere. This enables the garment
to remain unlined so the thick material falls
freely and without any added bulk.
The skirt is medium around a modern 8. Since
the jacket is unstructured and does not close
in front it will fit a range of sizes.
Waist 29"
Hips 40"
Skirt Length 23"
Excellent Condition
$300.00
SOLD
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#3074

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During the 1980s the desire for new, sensational
designs was the driving force in the world
of fashion. This unfettered environment released
the quirky side of many designers... like
the interesting skirt in this Gianni Versace suit.
Classic black and white, checkered plaid
jacket on top. This picture does not represent
the fabric well because of the strobe effect,
it is a small diamond check. You can see
it better in the detail shot of the side
view.
The jacket has broad shoulders and a curved
in waist. It buttons invisibly to the neck
and sports twin decorative button detail.
It has a close rounded neckline which (to
me) begs for either a turtle neck or scarf.
There is a welted breast pocket and two hip
pockets. Just a nicely tailored jacket here.
The skirt however is anything but classic.
It is a swirl of random horizontal
pleats
done in the same checkered plaid. Very
surreal
and sculptural. I love it and think
it would
look great teamed with a turtle neck
body
suit with some over the top 60s pendant
and
killer boots.
The size is around a modern 6 maybe a small
8. As with a lot of 1980s suits the jacket
is roomier than the skirt. You can have the
jacket taken in but the skirt is complicated
to say the least. The waist could be let out but I wouldn't even consider letting out
the hips, consider that measurement fixed.
Bust up to 39"
Waist 28"
Hips 38"
Skirt length 22"
Sleeve length 23"
Excellent Condition
$250.00
SOLD
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#3072
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Pretty fitted double breasted jacket from
the 1980s by Carolina Herrera.
Rich black and white nubby tweed accented
with black velvet details.
The jacket has a 1940s/equestrian
feel with
pleated padded shoulder line. The blouson
bodice gathers into a fixed velvet
waistband
and there is a hip length peplum. Long
full
sleeves gather into velvet cuffs. The
buttons
are velvet covered squares. It has
a square
neckline and velvet collar. Would look
great
with black gabardine slacks or skirt
(and
a red clutch!)
The size is around a modern 8-10 a generous medium.
NOTE! Alterations to make larger not recommended
I noticed the velvet waist band has no seams
so the waist cannot be let out without major
reconstruction. The buttons can't be moved
over either because it would distort the
front so alteration (to make larger) is not
practical.
Bust 40"
Waist 31"
Hips 42"
Sleeve Length 24"
Excellent Condition
$120.00
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#3067

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Gossamer 1970s gown... Yves Saint Laurent.
The fabric is stunning, a harlequin print
tissue silk chiffon with gold metallic highlights.
Gorgeous color combination in shades of lavender
and amber. The bodice is cut blouson style
with button front, attached two piece neck
scarf and full sleeves. The floor length
flowing skirt has a fixed gathered waist.
At left I photographed with the top buttoned
up and scarf looped around the neck sweet
and ladylike. For a sexier look you can wear
it partially buttoned with the scarf loosely
tied (pictured above) This dress had no belt
and there are no loops to indicated there
ever was one. I really think though, that
a fabulous wide belt with ornate buckle would
define the waist better and look very contemporary.
A gorgeous dress with all the couture details...It
is lined with amber silk gauze. The buttons
are clear glass crystal with gilded edges.
Even the side zipper is special it has tiny
copper teeth, a perfect match with the fabric!.
Lots of hand finishing assures that the delicate
fabric falls perfectly!
The size is med/small around a generous size 6.
It has the following measurements.
Bust 36"
Waist 26"
Hips free
Skirt length 43"
Sleeve length 23 1/2"
Excellent Condition
$550.00
SOLD
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#3058

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Hanae Mori is a Tokyo born designer who has
been designing beautiful fashion since the
1950s. Her creations are the epitome of subtle
elegance. They reflect the ancient respect
for harmony and balance so much a part of
Japanese tradition. Exquisite fabric is essential
to her designs to allow for perfect drape
and flow of line. This lovely silk day dress
is a modest example of her work. The body
is an unstructured sheath which gathers at
the neck into a rounded yoke.The sleeves
are long and slender and there is a vent
at the hem for ease of movement. The fabric
is the finest quality silk crepe de chine
with an earth tone print of carnations. It
is completely lined in taupe silk. The size
is medium around a modern 8-10. It has the following measurements.
Bust 38"
Waist free size
Hips 39"
Excellent Condition
$165.00
SOLD |